Sonnets - Sonnets 91 - 120

  • Sonnet 91
     
    Some glory in their birth, some in their skill,
    Some in their wealth, some in their body's force,
    Some in their garments though new-fangled ill;
    Some in their hawks and hounds, some in their horse;

    And every humour hath his adjunct pleasure,
    Wherein it finds a joy above the rest:
    But these particulars are not my measure,
    All these I better in one general best.

    Thy love is better than high birth to me,
    Richer than wealth, prouder than garments' cost,
    Of more delight than hawks and horses be;
    And having thee, of all men's pride I boast:

        Wretched in this alone, that thou mayst take
        All this away, and me most wretched make.

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    Sonnet 92
     
    But do thy worst to steal thyself away,
    For term of life thou art assured mine;
    And life no longer than thy love will stay,
    For it depends upon that love of thine.

    Then need I not to fear the worst of wrongs,
    When in the least of them my life hath end.
    I see a better state to me belongs
    Than that which on thy humour doth depend:

    Thou canst not vex me with inconstant mind,
    Since that my life on thy revolt doth lie.
    O what a happy title do I find,
    Happy to have thy love, happy to die!

        But what's so blessed-fair that fears no blot?
        Thou mayst be false, and yet I know it not.

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    Sonnet 93
     
    So shall I live, supposing thou art true,
    Like a deceived husband; so love's face
    May still seem love to me, though altered new;
    Thy looks with me, thy heart in other place:

    For there can live no hatred in thine eye,
    Therefore in that I cannot know thy change.
    In many's looks, the false heart's history
    Is writ in moods, and frowns, and wrinkles strange.

    But heaven in thy creation did decree
    That in thy face sweet love should ever dwell;
    Whate'er thy thoughts, or thy heart's workings be,
    Thy looks should nothing thence, but sweetness tell.

        How like Eve's apple doth thy beauty grow,
        If thy sweet virtue answer not thy show!

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    Sonnet 94
     
    They that have power to hurt, and will do none,
    That do not do the thing they most do show,
    Who, moving others, are themselves as stone,
    Unmoved, cold, and to temptation slow;

    They rightly do inherit heaven's graces,
    And husband nature's riches from expense;
    They are the lords and owners of their faces,
    Others, but stewards of their excellence.

    The summer's flower is to the summer sweet,
    Though to itself, it only live and die,
    But if that flower with base infection meet,
    The basest weed outbraves his dignity:

        For sweetest things turn sourest by their deeds;
        Lilies that fester, smell far worse than weeds.

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    Sonnet 95
     
    How sweet and lovely dost thou make the shame
    Which, like a canker in the fragrant rose,
    Doth spot the beauty of thy budding name!
    O! in what sweets dost thou thy sins enclose.

    That tongue that tells the story of thy days,
    Making lascivious comments on thy sport,
    Cannot dispraise, but in a kind of praise;
    Naming thy name blesses an ill report.

    O! what a mansion have those vices got
    Which for their habitation chose out thee,
    Where beauty's veil doth cover every blot
    And all things turns to fair that eyes can see!

        Take heed, dear heart, of this large privilege;
        The hardest knife ill-used doth lose his edge.

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    Sonnet 97
     
    How like a winter hath my absence been
    From thee, the pleasure of the fleeting year!
    What freezings have I felt, what dark days seen!
    What old December's bareness every where!

    And yet this time removed was summer's time,
    The teeming autumn, big with rich increase,
    Bearing the wanton burden of the prime,
    Like widow'd wombs after their lords' decease:

    Yet this abundant issue seem'd to me
    But hope of orphans and unfather'd fruit;
    For summer and his pleasures wait on thee,
    And, thou away, the very birds are mute;

        Or, if they sing, 'tis with so dull a cheer
        That leaves look pale, dreading the winter's near.

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    Sonnet 98
     
    From you have I been absent in the spring,
    When proud-pied April dress'd in all his trim
    Hath put a spirit of youth in every thing,
    That heavy Saturn laugh'd and leap'd with him.

    Yet nor the lays of birds nor the sweet smell
    Of different flowers in odour and in hue
    Could make me any summer's story tell,
    Or from their proud lap pluck them where they grew;

    Nor did I wonder at the lily's white,
    Nor praise the deep vermilion in the rose;
    They were but sweet, but figures of delight,
    Drawn after you, you pattern of all those.

        Yet seem'd it winter still, and, you away,
        As with your shadow I with these did play.

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    read by Michael Gearin Tosh (RealPlayer)
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    Listen also to Love Poetry - Shakespeare's Sonnets by Michael Gearin Tosh

    Sonnet 100
     
    Where art thou, Muse, that thou forget'st so long
    To speak of that which gives thee all thy might?
    Spend'st thou thy fury on some worthless song,
    Darkening thy power to lend base subjects light?

    Return, forgetful Muse, and straight redeem
    In gentle numbers time so idly spent;
    Sing to the ear that doth thy lays esteem
    And gives thy pen both skill and argument.

    Rise, resty Muse, my love's sweet face survey,
    If Time have any wrinkle graven there;
    If any, be a satire to decay,
    And make Time's spoils despised every where.

        Give my love fame faster than Time wastes life;
        So thou prevent'st his scythe and crooked knife.

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    Sonnet 104
     
    To me, fair friend, you never can be old,
    For as you were when first your eye I eyed,
    Such seems your beauty still. Three winters cold
    Have from the forests shook three summers' pride,

    Three beauteous springs to yellow autumn turn'd
    In process of the seasons have I seen,
    Three April perfumes in three hot Junes burn'd,
    Since first I saw you fresh, which yet are green.

    Ah! yet doth beauty, like a dial-hand,
    Steal from his figure and no pace perceived;
    So your sweet hue, which methinks still doth stand,
    Hath motion and mine eye may be deceived:

        For fear of which, hear this, thou age unbred;
        Ere you were born was beauty's summer dead.

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    Sonnet 105
     
    Let not my love be called idolatry,
    Nor my beloved as an idol show,
    Since all alike my songs and praises be
    To one, of one, still such, and ever so.

    Kind is my love to-day, to-morrow kind,
    Still constant in a wondrous excellence;
    Therefore my verse to constancy confined,
    One thing expressing, leaves out difference.

    Fair, kind, and true, is all my argument,
    Fair, kind, and true, varying to other words;
    And in this change is my invention spent,
    Three themes in one, which wondrous scope affords.

        Fair, kind, and true, have often lived alone,
        Which three till now, never kept seat in one.

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    Sonnet 106
     
    When in the chronicle of wasted time
    I see descriptions of the fairest wights,
    And beauty making beautiful old rhyme
    In praise of ladies dead and lovely knights,

    Then, in the blazon of sweet beauty's best,
    Of hand, of foot, of lip, of eye, of brow,
    I see their antique pen would have express'd
    Even such a beauty as you master now.

    So all their praises are but prophecies
    Of this our time, all you prefiguring;
    And, for they look'd but with divining eyes,
    They had not skill enough your worth to sing:

        For we, which now behold these present days,
        Had eyes to wonder, but lack tongues to praise.

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    Sonnet 107
     
    Not mine own fears, nor the prophetic soul
    Of the wide world dreaming on things to come,
    Can yet the lease of my true love control,
    Supposed as forfeit to a confined doom.

    The mortal moon hath her eclipse endured,
    And the sad augurs mock their own presage;
    Incertainties now crown themselves assured,
    And peace proclaims olives of endless age.

    Now with the drops of this most balmy time,
    My love looks fresh, and Death to me subscribes,
    Since, spite of him, I'll live in this poor rhyme,
    While he insults o'er dull and speechless tribes:

        And thou in this shalt find thy monument,
        When tyrants' crests and tombs of brass are spent.

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    Sonnet 109
     
    O, never say that I was false of heart,
    Though absence seem'd my flame to qualify.
    As easy might I from myself depart
    As from my soul, which in thy breast doth lie:

    That is my home of love: if I have ranged,
    Like him that travels I return again,
    Just to the time, not with the time exchanged,
    So that myself bring water for my stain.

    Never believe, though in my nature reign'd
    All frailties that besiege all kinds of blood,
    That it could so preposterously be stain'd,
    To leave for nothing all thy sum of good;

        For nothing this wide universe I call,
        Save thou, my rose; in it thou art my all.

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    Sonnet 110
     
    Alas, 'tis true I have gone here and there
    And made myself a motley to the view,
    Gored mine own thoughts, sold cheap what is most dear,
    Made old offences of affections new;

    Most true it is that I have look'd on truth
    Askance and strangely: but, by all above,
    These blenches gave my heart another youth,
    And worse essays proved thee my best of love.

    Now all is done, have what shall have no end:
    Mine appetite I never more will grind
    On newer proof, to try an older friend,
    A god in love, to whom I am confined.

        Then give me welcome, next my heaven the best,
        Even to thy pure and most most loving breast.

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    Sonnet 111
     
    O, for my sake do you with Fortune chide,
    The guilty goddess of my harmful deeds,
    That did not better for my life provide
    Than public means which public manners breeds.

    Thence comes it that my name receives a brand,
    And almost thence my nature is subdued
    To what it works in, like the dyer's hand:
    Pity me then and wish I were renew'd;

    Whilst, like a willing patient, I will drink
    Potions of eisel 'gainst my strong infection
    No bitterness that I will bitter think,
    Nor double penance, to correct correction.

        Pity me then, dear friend, and I assure ye
        Even that your pity is enough to cure me.

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    Sonnet 113
     
    Since I left you, mine eye is in my mind;
    And that which governs me to go about
    Doth part his function and is partly blind,
    Seems seeing, but effectually is out;

    For it no form delivers to the heart
    Of bird of flower, or shape, which it doth latch:
    Of his quick objects hath the mind no part,
    Nor his own vision holds what it doth catch:

    For if it see the rudest or gentlest sight,
    The most sweet favour or deformed'st creature,
    The mountain or the sea, the day or night,
    The crow or dove, it shapes them to your feature:

        Incapable of more, replete with you,
        My most true mind thus makes mine eye untrue.

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    Sonnet 116
     
    Let me not to the marriage of true minds
    Admit impediments. Love is not love
    Which alters when it alteration finds,
    Or bends with the remover to remove.

    O no, it is an ever-fix'd mark
    That looks on tempests and is never shaken;
    It is the star to every wand'ring bark,
    Whose worth's unknown, although his height be taken.

    Love's not time's fool, though rosy lips and cheeks
    Within his bending sickle's compass come.
    Love alters not with his brief hours and weeks,
    But bears it out ev'n to the edge of doom.

        If this be error and upon me proved,
        I never writ, nor no man ever loved.

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    read by James Parmiter (Real)
    read by Linda Gregerson (RealPlayer)
    read by Mark Dofy (RealPlayer)
    read by W.S. Merwin (RealPlayer)
    read by Lloyd Schartz (RealPlayer)
    read by Eric Hibbison (RealPlayer)
    read by Richard Stevens (RealPlayer)
    read by Walter Rufus Eagles (RealPlayer)
    read by Christine Testman (mp3)
    Commentary
    Introduction
    Collection of various apsects
    Sound Effects in Sonnet 116
       Audio (RealPlayer)
    Which music fits this sonnet best? Musical selections from Eric Hibbison (Prof. of English, J. Sargeant Reynolds Community College):
    a quiet jazz combo interlude (0:21)
    Mozart symphony excerpt (0:30)
    modern sound (0:27)
    a French horn fanfare (0:06)
    a Chopin mazurka (0:30)
    See Teaching for more information.

    Sonnet 117
     
    Accuse me thus: that I have scanted all,
    Wherein I should your great deserts repay,
    Forgot upon your dearest love to call,
    Whereto all bonds do tie me day by day;

    That I have frequent been with unknown minds,
    And given to time your own dear-purchased right;
    That I have hoisted sail to all the winds
    Which should transport me farthest from your sight.

    Book both my wilfulness and errors down,
    And on just proof surmise accumulate;
    Bring me within the level of your frown,
    But shoot not at me in your wakened hate;

        Since my appeal says I did strive to prove
        The constancy and virtue of your love.

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