Albee, Edward: 1928 - 2016

Who's Afraid of Virginia Woolf?, 1962 - Week-by-Week Teaching Plan (15 weeks)

  • Week 1 – Introduction to the Play and Historical Context

    Objective:
    - Introduce Edward Albee and the American theater landscape of the 1960s.
    - Understand the social and cultural context of post-war America.
    - Discuss the theater of the absurd and realism.

    Activities:
    - Lecture on Albee’s biography and influence.
    - Screening of excerpts from a film or stage production.
    - Discussion: Expectations of American drama in the 1960s.

    Reading Assignment: Introduction/preface in the play edition; Act I, Scene 1

  • Week 2 – Act I – Part 1

    Objective:
    - Examine the play’s characters: George and Martha.
    - Identify themes: illusion vs. reality, marital discord, and social status.

    Activities:
    - Read aloud first half of Act I in class.
    - Discuss character dynamics and early signs of tension.
    - Character mapping exercise: relationships, power dynamics.

    Reading Assignment: Complete Act I.

  • Week 3 – Act I – Part 2

    Objective:
    - Analyze Albee’s use of language, dialogue, and symbolism.
    - Explore humor and cruelty in character interactions.

    Activities:
    - Close reading of key dialogues and monologues.
    - Discuss symbolism (alcohol, games, “Virginia Woolf” reference).
    - Writing prompt: Analyze the function of George’s sarcasm in establishing tension.

    Homework: Reflective journal on first impressions of the main characters

  • Week 4 – Act II – Part 1

    Objective:
    - Introduce Nick and Honey; explore the contrast with George and Martha.
    - Examine themes of illusion, societal expectation, and sexuality.

    Activities:
    - Read first half of Act II aloud.
    - Discussion: How do Nick and Honey mirror or oppose George and Martha?.
    - Short lecture: 1960s social norms and sexual mores in American theater.

    Reading Assignment: Finish Act II.

  • Week 5 – Act II – Part 2

    Objective:
    - Analyze the development of conflict and the use of games as psychological tools.
    - Explore motifs of failure, disappointment, and disillusionment.

    Activities:
    - Group discussion: the “Games” and their symbolic meaning.
    - Scene analysis: focus on climactic moments and character revelations.
    - Writing assignment: Compare George and Nick as foils.

    Homework: Prepare a short oral presentation on symbolism in Act II

  • Week 6 – Act III – Part 1

    Objective:
    - Explore the play’s climax and themes of truth, illusion, and destruction.
    - Discuss the emotional and psychological unraveling of characters.

    Activities:
    - Read first half of Act III in class.
    - Discussion: What does the “fictional child” represent?
    - Performance exercise: students act key scenes to understand tension.

    Reading Assignment: Finish Act III

  • Week 7 – Act III – Part 2 and Full Play Analysis

    Objective:
    - Wrap up Act III; discuss resolution and thematic closure.
    - Analyze the tragicomic elements and psychological intensity.

    Activities:
    - Class discussion: How does the ending reflect the play’s major themes?
    - Group activity: Map out key conflicts and resolutions.
    - Writing prompt: The significance of the title in relation to the play’s conclusion.

    Homework: Prepare a 2–3 page paper on the theme of illusion vs. reality

  • Week 8 – Character Deep Dive

    Objective:
    - Explore character motivation, complexity, and development.

    Activities:
    - Character dossiers: students select a character to analyze in depth.
    - Screenssion: Is George sympathetic or tragic? Is Martha a victim or antagonist?
    - Group debate: Who is “winning” the emotional battles in the play?

    Homework: Complete character analysis essays

  • Week 9 – Themes and Motifs

    Objective:
    - Examine major themes: illusion vs. reality, truth, failure, societal expectation.
    - Identify recurring motifs: alcohol, games, noise, and the fictional child.

    Activities:
    - Create a theme/motif chart as a class.
    - Small group discussions on how motifs reinforce themes.
    - Short creative assignment: Rewrite a scene emphasizing a motif of choice.

    Reading Assignment: Review key passages for thematic evidence

  • Week 10 – Language, Style, and Dramatic Techniques

    Objective:
    - Analyze Albee’s stylistic choices: dialogue, pacing, tension.
    - Examine the use of humor, irony, and verbal sparring.

    Activities:
    - Close reading of key dialogues.
    - Workshop: students perform lines to explore tone and subtext.
    - Discussion: How does Albee’s style affect audience perception?

    Homework: Short essay on Albee’s use of language to reveal character.

  • Week 11 – Historical and Critical Perspectives

    Objective:
    - Examine critical reception (1962 vs. today).
    - Explore feminist, psychoanalytic, and absurdist interpretations.

    Activities:
    - Lecture on critical interpretations.
    - Group discussion: How do interpretations change over time?
    - Reading: Selected scholarly articles or reviews.

    Homework: Prepare a short presentation on one critical perspective

  • Week 12 – Performance and Stagecraft Objectives

    Objective:
    - Understand production elements: staging, lighting, sound, and design.
    - Explore how performance choices affect interpretation.

    Activities:
    - Watch a recorded performance (film or theater production).
    - Discuss staging choices and their impact.
    - Group exercise: Plan a scene using alternative staging.

    Homework: Write a short reflection comparing text vs. performance.

  • Week 13 – Student Presentations

    Objective:
    - Present thematic, character, or critical analyses.
    - Engage in peer discussion and feedback.

    Activities:
    - 10–15 minute presentations per student or group.
    - Class discussion following each presentation.
    - Peer feedback and discussion on differing interpretations.

  • Week 14 – Review and Synthesis

    Objective:
    - Consolidate understanding of characters, themes, and Albee’s style.
    - Prepare for final assessment or essay.

    Activities:
    - Class discussion: Major takeaways and lingering questions.
    - Thematic mapping exercise.
    - Review key quotes and motifs for exams or essays.

  • Week 15 – Final Assessment / Essay

    Objective:
    - Demonstrate mastery of the play through writing, discussion, or performance.

    Activities:
    - Submit final essays or projects.
    - Optional: staged reading or scene performance.
    - Wrap-up discussion on the play’s relevance today.