Guptara, Jyoti and Suresh: *1988

Me, Harry Potter and the Casting Adventure

  • With the following article Jyoti Guptara became at age fifteen the youngest known writer to have an article published in The Wall Street Journal.
  • Wall Street Journal; Friday,Saturday, Sunday June 4-6, 2004

    Me, Harry Potter and the Casting Adventure

    By JYOTI GUPTARA

    ON MONDAY, FEB. 2, I logged on to www.hpana.com, my favourite Harry Potter site, and scrolled down for news on the casting for "Harry Potter and the Goblet of Fire."

    Like countless others with the dream of becoming an actor, I imagined a part in it for me. But my chosen character was one I thought not so many others would be interested in, since he's sort of...ugly: Viktor Krum, 17-year-old captain of the Bulgarian team in the Quidditch World Cup. (Quidditch, the favourite sport of witches and wizards, involves 14 players, four balls, and broomsticks.) From the first time I'd read the book, I'd felt Viktor was a bit like me.

    So the headline "Thousands of Bulgarians bid for role in GoF" (Goblet of Fire) started my heart pounding. Warner Bros., seeking authenticity, had asked producer Victor Bozhinov to organize a casting call in Sofia to find a 15-to-19-year-old Bulgarian to play my role. A Bulgarian? Why not a 15-year-old with an Indian father and English mother? Isn't the whole point of acting to pretend to be something you aren't?

    When I got home and showed my dad the article, his response flabbergasted me: Did I want to go to Sofia? I didn't hesitate. He would find out if there was a flight that would get me there in time - the two-day casting was to begin Wednesday. If there was, if no visa was required, and if he could arrange suitable accommodation, the scene in Sofia was going to feature thousands of Bulgarians plus me.

    I calculated the hours until 9 a.m. on Feb. 4, when the tryouts would begin, and began counting down. When zero hour hit with the trip not settled, my stomach lurched. "Oh well, I'll just have to try for the part of an extra another time," I thought miserably. All wasn't lost, though ­ not yet: I was to ring my dad during the school lunch break for the final word.

    But just before lunch, my jacket ­ and with it my wallet and mobile phone ­ was stolen. I grabbed the attention of a teacher and demanded the use of a telephone. I reached my father and told him about the wallet, which meant I was without my train pass. Dad said that he'd pick me up in the car.

    But just before lunch, my jacket ­ and with it my wallet and mobile phone ­ was stolen. I grabbed the attention of a teacher and demanded the use of a telephone. I reached my father and told him about the wallet, which meant I was without my train pass. Dad said that he'd pick me up in the car."What about Sofia?" I asked.

    "I'll tell you on the way," he replied. Two hours later I was on the train to the airport, luggage-laden, waving goodbye.

    At 10:12 a.m. on Thursday, Feb. 5, the second and last day of casting, a taxi pulls as near as possible to a run-down white building in the heart of Sofia: the Studentski Dom. Out steps a fierce-looking teenager in a businessman's black, big-shouldered coat, accompanied by a short Bulgarian woman ­ his unfortunate host and translator, a friend of a friend of his father. Frowning and showing his best slouch, he walks slowly and purposefully to where a dozen young men wait with friends and family near the entrance. There a white-bearded man in military camouflage, wearing a badge reading "Harry Potter IV, Casting Viktor Krum," talking (sometimes arguing) with those in the queue. Occasionally he or a lady in sunglasses lets one of them into the Studentski Dom: a lucky would-be Viktor Krum clearing the first hurdle. Through an open upstairs window, poised cameras, important-looking people and a big table are visible: This is where the interviews are taking place.

    At last it is our hero's turn. The bearded man steps up and speaks; the translator replies. The man turns to me and asks a question - in Bulgarian. My dream starts to crumble. My dad had been sure the interviews, like the movie, would be in English. I speak English, German, Italian and French, but the only words of this man's that I can make out are "bulgarski" and "casting." I explain my lack of Bulgarian, and a heated conversation ensues. A foreigner has no chance for the role, the bearded man says. With the help of my translator, I mount my counterarguments, and finally seem to convince him (and some other casting agents, who had come to listen) to regard me as Bulgarian and give me the chance anyway. They retreat for some minutes, tending to other Krum hopefuls, and finally return to say my cheekbones are too small and I don't look mean or ugly enough. Warner Bros. has prepared a portrait to help in casting, the bearded man says. They want someone who scares everyone when he steps into the classroom but is respected for his strength - like the Hunchback of Notre Dame.

    But that's not Viktor Krum! I know the book: Viktor is a "seeker" on the Quidditch team, according to J.K. Rowling, usually the smallest and lightest player. My unhappy translator desperately just wants to escape, but I keep talking: I'll pay for the interview film if they let me in, I say; the casting directors in London should decide, not these Sofia gatekeepers. But it doesn't work. As I walk away, two adolescents snigger and I give them a scowl Viktor himself would have been proud of.

    I'm not beaten. At 3 p.m. I return with a new pair of translator victims - my other host and her boyfriend - clenching my jaw, frowning more than ever, and having used a black face-paint pencil to give my eyebrows more volume. When I catch my reflection by chance I am startled: I really do look like the "overgrown bird of prey" of Ms. Rowling's description.

    The man with the white beard, though, is still there to say no. So I try my last plea: Let me into the building just to see what they're doing. After all, I flew all the way from Switzerland for this. But it's just one more chance for him to turn me down. In the end, I don't even have the guts to ask to see the portrait of the ideal candidate. So I fly back home defeated.

    The adventure had cost me lots at school (I received an official warning and two hours of detention), lots of time and energy (mine and that of my translator/hosts), and the largest amount I have ever spent: more than € 500 of my father's money. (I have pledged internally to pay him back, without interest.)

    But it wasn't really wasted. All on my own, I had flown to and travelled in a strange country, discovered another culture, tasted novel foods, met interesting and kind people and acquired many souvenirs. (Everything was so cheap that I purchased some presents for my family ­ to make up for last Christmas.) Going to this casting also seemed to convince everybody back at school that I was a good actor. Teachers showed me more respect, if not enough to keep me out of detention.

    And one failure didn't dent my determination. I'm under Ms. Rowling's spell. I hear the film music in my head, and I won't rest until everyone has shunned me - or until I'm part of "Harry Potter and the Goblet of Fire," however unlikely that is. I don't care if it is as an extra, a sweeper at Leavesden Studios, or a shoe-cleaner for Mike Newell, the director. Nothing ventured, nothing gained. Even if it means another fool's errand, this time to London.