Coetzee, J.M. *1940

Youth, 2002 - Before Reading

  • Before you read the book it helps to adjust expectations—this isn’t a conventional coming-of-age story with big plot twists. It’s quieter, more introspective, and often deliberately uncomfortable:
    • 1. It’s semi-autobiographical—but emotionally distant
      The novel follows a young South African man (clearly based on Coetzee himself) living in London. However, it’s written in third person, which creates a strange distance between the narrator and the protagonist.
      This isn’t a warm memoir—it’s more like a self-dissection.
    • 2. The main character is not likable (on purpose)
      You may find him:
      - socially awkward
      - emotionally detached
      - self-absorbed
      - often delusional about his own artistic destiny
      That’s intentional. Coetzee is exploring self-deception, insecurity, and ego, not trying to make you root for the character.
    • 3. Themes: alienation, identity, and failure
      Expect a focus on:
      Isolation (especially as an immigrant in London)
      Romantic frustration (awkward, often painful relationships)
      Artistic ambition vs. reality
      Disillusionment with youth ideals
      This is more about internal struggle than external events.
    • 4. It’s part of a trilogy
      Youth is the second book in a sequence:
      1. Boyhood
      2. Youth.
      1. Summertime
      You don’t have to read Boyhood first, but it adds context to his early life and mindset.
    • 5. Sparse, controlled writing style
      Coetzee’s prose is:
      - very precise and restrained
      - emotionally understated
      - sometimes almost clinical
      Don’t expect lush descriptions—pay attention to small psychological details.
    • 6. Set in 1960s London
      Understanding the backdrop helps:
      - Post-colonial identity (South African abroad)
      - Cultural life of London in the 1960s
      - Early computing/tech work (he works as a programmer)
    • 7. It’s about the myth of being a young artist
      The protagonist believes he’s destined to be a great poet—but:
      - he struggles to write
      - he avoids real effort
      - he romanticizes suffering
    • Don’t look for a strong plot—focus on psychology and themes
      Be patient with the protagonist’s flaws
      Read it as an honest, even brutal portrait of youth, not a heroic one