Coetzee, J.M. *1940
Youth, 2002 - Before Reading
- Before you read the book it helps to adjust expectations—this isn’t a conventional coming-of-age story with big plot twists. It’s quieter, more introspective, and often deliberately uncomfortable:
- 1. It’s semi-autobiographical—but emotionally distant
The novel follows a young South African man (clearly based on Coetzee himself) living in London. However, it’s written in third person, which creates a strange distance between the narrator and the protagonist.
This isn’t a warm memoir—it’s more like a self-dissection. - 2. The main character is not likable (on purpose)
You may find him:
- socially awkward
- emotionally detached
- self-absorbed
- often delusional about his own artistic destiny
That’s intentional. Coetzee is exploring self-deception, insecurity, and ego, not trying to make you root for the character. - 3. Themes: alienation, identity, and failure
Expect a focus on:
Isolation (especially as an immigrant in London)
Romantic frustration (awkward, often painful relationships)
Artistic ambition vs. reality
Disillusionment with youth ideals
This is more about internal struggle than external events. - 4. It’s part of a trilogy
Youth is the second book in a sequence:
1. Boyhood
2. Youth.
1. Summertime
You don’t have to read Boyhood first, but it adds context to his early life and mindset. - 5. Sparse, controlled writing style
Coetzee’s prose is:
- very precise and restrained
- emotionally understated
- sometimes almost clinical
Don’t expect lush descriptions—pay attention to small psychological details. - 6. Set in 1960s London
Understanding the backdrop helps:
- Post-colonial identity (South African abroad)
- Cultural life of London in the 1960s
- Early computing/tech work (he works as a programmer) - 7. It’s about the myth of being a young artist
The protagonist believes he’s destined to be a great poet—but:
- he struggles to write
- he avoids real effort
- he romanticizes suffering - Don’t look for a strong plot—focus on psychology and themes
Be patient with the protagonist’s flaws
Read it as an honest, even brutal portrait of youth, not a heroic one
- 1. It’s semi-autobiographical—but emotionally distant